MASTERING
Mastering is the final step of the process before your music is released into the world. It can be seen as two kinds of quality control in one process: technical, to ensure your music translates perfectly across various mediums and playback systems, and artistic, to make sure your music is as emotionally and sonically impactful as possible. I will draw on over 10 years of engineering experience and over 20 years of making music to achieve this.
Available services include mastering for digital/streaming, CD, video, casette, and vinyl-premastering. All mastering clients will also recieve mix review/coaching at no extra cost, if desired.
Quotes are based on the type(s) of mastering your project needs and total length of your music to be mastered, so contact me to discuss your project.
Gear (if you’re into that kind of thing)
SELECTED AUDIO ENGINEERING CLIENTS/EMPLOYERS
- ANTI- Records
- Arthur Zankel Music Center, Skidmore College
- Arts Center of the Capital Region
- Aston Magna
- Bergamot Quartet
- Blank Forms
- Bloomingdale School of Music
- Boulanger Initiative
- Chamber Music Society of Lincoln Center
- Chromoscope Pictures
- College of Saint Rose
- Colin Stetson, Elliot Sharp, Billy Martin, Payton MacDonald
- Columbia Composers
- Connor Armbruster
- Derrick Michaels
- Eloise Sherrid/Lauryn Welch
- Emma Willard School
- Ensemble Échappé
- Ensemble Dal Niente
- Erin Connelly
- Evan Runyon
- Georgia Beatty
- Heartbeat Opera
- International Music Organization New York
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